There’s something haunting about the looming brick building on the right side of the road. So dark and so hollow it seems to eat what little light reaches it. A sad black hole, insatiably hungry for life, somehow it feels as though it begs your approach. Each rectangular window is broken, all but a few shards of glass long gone. At the front an ORNATELY CARVED SIGN droops from just one rusted chain, clattering against the brick. The DOOR appears scorched and is missing its handle. Nothing is barring entry for the curious.
There’s no mistaking what this building is (was?) upon entry: a HOST PODIUM stands to the immediate left of the door and beyond that a room full of TABLES, many of them still covered with moth-eaten and yellowing table cloths, plated for dinner with vases of fabric flowers so delicate most disintegrate at human touch. By the looks of things, the last people to be in here left in a real hurry. A few glasses and personal belongings rest on a long COUNTER on the far side of the room. Somehow the BAR is still well stocked.
The glasses are all either filthy or broken, so Trudy will have to swig direct from the bottle.
Amidst the mid-ranged liquors, Trudy finds a few things of interest:
a CORKED BOTTLE of Cheat Lake Winery red vintage 1989. a NEARLY EMPTY BOTTLE of tequila, the worm in the bottom is fat from absorbing so much liquid. a small sealed OPAQUE BOTTLE.
The most curious item catches her attention first. She OPENS the OPAQUE BOTTLE, of course. With her wand lit, she LOOKS inside it , then WAFTS it to see what it smells like.
Uncapped the pungent smell of VINEGAR fills Trudy's nose, mixed with earthy rot. This was probably WINE at one point, but it's not anymore. More curious, though, is the bottle, imprinted on its base. With her wand lit she can see it has been stamped: SWINT'S.
While there are many items strewn across the BAR COUNTER, one seemingly mundane one stands out to Trudy in particular: an old NAPKIN, faded yellow and flaking, with WRITING.
"Get out tonight. If you do, call me."
There is a PHONE NUMBER on the bottom corner of the napkin, but the last number is flaked off.
Oh, she's definitely calling that number as soon as she's out of here. The last digit is missing, but that only leaves ten possibilities, and she'll try them all. She carefully tucks the napkin into her pocket.
That done, she approaches the HOST PODIUM to INSPECT it with her lit wand aloft, looking in particular to see if she can find something like a reservation book with a date on it.
Several MENUS sit atop the HOST PODIUM. Beneath there is, in fact, a RESERVATION BOOK penned in a neat hand. The PAGE the book is opened to is from April of 1989.
"Better than what I found. Wine, but it had turned to vinegar. It said 'Swint's' on the bottom," she replies, watching Mary Grace's suffering before she takes the bottle herself. "Do you think we're in a post apocalyptic future?" She sounds remarkably untroubled by the notion, though she does take a long drag from the bottle. She screws up her face, then shakes her head when she comes up for air. "Woo!" she says, then passes the bottle back.
"Pompel was the only thing keeping the world from ending the whole time."
Mary Grace, who has never learned a lesson in her life, tosses back another shot before she remembers she has a wand. Like. To make this colder and more palatable.
She takes another lukewarm gulp anyway, because icing it at this point would be admitting she was wrong in the first place.
"I dunno, something's missing. Doesn't feel like home." She twists her mouth to the side and slides the bottle back toward Trudy. "But that's gotta mean we ain't too far, right?"
Mary Grace considers it. She's not sure what it is, it's hard to put her finger on it. Maybe it just doesn't feel like Elflock Falls without the Zippy Dip or the amphitheater. Or—
"Oh!" Trudy says, then furrows her eyebrows. "Hmmmmmm..." She takes a swig from the bottle of whiskey, and this thought is sufficiently distracting that she doesn't even flinch. "I did find a reservation book, and the last entries were in 1989, so that would suggest that this isn't a post apocalyptic future." She sounds a little bit disappointed about that fact. "Alternate universe, then?" She passes the bottle back.
"Damn, that's like... 30 fucking years ago." To a child like Mary Grace, that's a long time ago. Nearly twice her lifetime. She swirls the hell-aged whiskey in the bottle thoughtfully, trying to figure out just what the fuck that even means.
"Or we're just in some old ass ghost town?" She shrugs and takes a swig. "Gotta be a million of these things in the hills. Ain't no one wants to live out here." Or spend Halloween night out here.
"That is thirty fucking years ago. It would be more coincidental if it was some sort of anniversary or something, but the last entry was in April. Still," Trudy says, drumming short trimmed nails against the the table between them. "Could be that we accidentally got teleported to a ghost town. Maybe it looks like Elflock because it's... a proto town? Odd, though." The expression she wears is engaged, alight, someone who enjoys solving puzzles. Suddenly, she turns to Mary Grace more fully. "Did you go through the door with anyone else?" She furrows her brows, nails still tap-tap-tapping away, thoughtful. "I was there with Jupiter and Audrey, and they're not here now. Could be that they got left behind, sure, but I know you weren't there with me. No one else was, either. But it seemed like we arrived at the same time, in about the same place, right? That's odd."
"April's got a bad aesthetic," Mary Grace says with a shrug. Clearly the door considered this before sending them.
"Ugh," is her response to Trudy's question, and she takes another drink to keep that eloquence flowing. "Yes. I went with Felicity and you know that bitch got waffles." She wants waffles. Or anything to eat right now. Like jerkey. Even ghost jerkey.
"Rainy," Trudy agrees, "Which, ordinarily I don't mind, but it would just liquefy all the grime everywhere."
"I wouldn't doubt that Jupiter also got waffles," Trudy comments, then holds her hand out for the bottle. "I like waffles. The squares all make nice receptacles for even syrup distribution."
Whether it's a cheer toss or a good old fasioned giant adult, Mary Grace and Scarlett are able to nab the SIGN. Giving it a solid YANK causes the old rusty CHAIN to snap and the two girls land in a pile on the ground with their NEW WEIRD WOODEN SIGN. In an elegant, curling script the words "LA CHAIR ENCHANTÉE" have been carved into the sign.
Congratulations, girls. This would make a SICK SKATEBOARD if you bolted some wheels to it.
LA CHAIR ENCHANTÉE
There’s no mistaking what this building is (was?) upon entry: a HOST PODIUM stands to the immediate left of the door and beyond that a room full of TABLES, many of them still covered with moth-eaten and yellowing table cloths, plated for dinner with vases of fabric flowers so delicate most disintegrate at human touch. By the looks of things, the last people to be in here left in a real hurry. A few glasses and personal belongings rest on a long COUNTER on the far side of the room. Somehow the BAR is still well stocked.
Re: LA CHAIR ENCHANTÉE
Trudy is going to head in and get a DRINK from the BAR.
Re: LA CHAIR ENCHANTÉE
Re: LA CHAIR ENCHANTÉE
Re: LA CHAIR ENCHANTÉE
Re: LA CHAIR ENCHANTÉE
ONE ACTION USED.
Re: LA CHAIR ENCHANTÉE
Amidst the mid-ranged liquors, Trudy finds a few things of interest:
a CORKED BOTTLE of Cheat Lake Winery red vintage 1989.
a NEARLY EMPTY BOTTLE of tequila, the worm in the bottom is fat from absorbing so much liquid.
a small sealed OPAQUE BOTTLE.
Anything interest her?
Re: LA CHAIR ENCHANTÉE
Re: LA CHAIR ENCHANTÉE
Trudy has used ONE ACTION.
Re: LA CHAIR ENCHANTÉE
Re: LA CHAIR ENCHANTÉE
"Get out tonight.
If you do,
call me."
There is a PHONE NUMBER on the bottom corner of the napkin, but the last number is flaked off.
Trudy has used ONE ACTION.
LA CHAIR ENCHANTÉE
That done, she approaches the HOST PODIUM to INSPECT it with her lit wand aloft, looking in particular to see if she can find something like a reservation book with a date on it.
Re: LA CHAIR ENCHANTÉE
Trudy has used ONE ACTION.
LA CHAIR ENCHANTÉE (THREAD): Gettin' A Buzz On
"Jesus shit," she coughs out, slamming the bottle back down on the bar. Straight, room temperature Jack is just. Not ideal. "Fuckin'—silky smooth."
LA CHAIR ENCHANTÉE (THREAD): Gettin' A Buzz On
LA CHAIR ENCHANTÉE (THREAD): Gettin' A Buzz On
Mary Grace, who has never learned a lesson in her life, tosses back another shot before she remembers she has a wand. Like. To make this colder and more palatable.
She takes another lukewarm gulp anyway, because icing it at this point would be admitting she was wrong in the first place.
"I dunno, something's missing. Doesn't feel like home." She twists her mouth to the side and slides the bottle back toward Trudy. "But that's gotta mean we ain't too far, right?"
LA CHAIR ENCHANTÉE (THREAD): Gettin' A Buzz On
"Missing?" Trudy asks, then holds out her hand for the bottle. "like what? Other than, hm, people. And cleanliness."
LA CHAIR ENCHANTÉE (THREAD): Gettin' A Buzz On
"Power lines. There's power lines."
LA CHAIR ENCHANTÉE (THREAD): Gettin' A Buzz On
LA CHAIR ENCHANTÉE (THREAD): Gettin' A Buzz On
"Or we're just in some old ass ghost town?" She shrugs and takes a swig. "Gotta be a million of these things in the hills. Ain't no one wants to live out here." Or spend Halloween night out here.
LA CHAIR ENCHANTÉE (THREAD): Gettin' A Buzz On
LA CHAIR ENCHANTÉE (THREAD): Gettin' A Buzz On
"Ugh," is her response to Trudy's question, and she takes another drink to keep that eloquence flowing. "Yes. I went with Felicity and you know that bitch got waffles." She wants waffles. Or anything to eat right now. Like jerkey. Even ghost jerkey.
LA CHAIR ENCHANTÉE (THREAD): Gettin' A Buzz On
"I wouldn't doubt that Jupiter also got waffles," Trudy comments, then holds her hand out for the bottle. "I like waffles. The squares all make nice receptacles for even syrup distribution."
Re: LA CHAIR ENCHANTÉE
Re: LA CHAIR ENCHANTÉE
Congratulations, girls. This would make a SICK SKATEBOARD if you bolted some wheels to it.
Mary Grace has used ONE ACTION.