Faint blue light is what finally wakes you, an eerie glow splashed across your face. Or, not your face, the mask you are wearing. It’s cold here, and musty. A basement, probably. You are not alone. Each of you is lying on a poured cement floor, positioned around a hatch covered in glyphs: Atlas above it, Patrice below, Trudy on the right, and Xenia on the left. You are all in cowled masks, lying still with hands at your sides. You cannot move. Around you, ghostly figures stand, glowing, translucent in their hooded robes. That is where the light is coming from. They are murmuring that chant they murmured in your dreams, louder and louder, clearer and clearer. That dim light grows brighter, and now seems to be coming beneath you as well. A glyph etched in chalk on the floor starts to shine. Hot as a griddle, it quickly grows uncomfortable, but you are awake and you are free and as you move to get away, it sputters and dies. The light fades. Then the hooded figures do, too.
The four of you are alone in a cluttered room wearing cowled masks fashioned from white plaster. Intricately molded eyes on the mask give way to a flat lower half and a mouth shaped like a keyhole. Beneath you the hatch is still warm to the touch, and it gives a bit if you pull on the handle, like maybe those locking glyphs drawn all over it aren’t holding it so fast, anymore. Around you there are shelves stuffed with boxes, stacked with broken bowling pins, old bowling balls, advertisements and decorations from yearly events at Elflock Lanes. It’s not hard to guess where you are, and though you have no clue how long you’ve been down here, it’s not long at all ‘til you’re found.
Lir Liu arrives with Mr. Youngblood and Ms. Kwan, the three of them showing more emotion on their faces than you’ve maybe ever seen. There’s no interrogation, no assumption that this was a prank, the two teachers just usher you hurriedly back to Peckenpaugh, to Healer Greatheart, to have you checked out.
Edited 2020-01-29 17:54 (UTC)
SOMEWHERE CLUTTERED: Pre-Rescue (Open but optional to rescue kids??)
Ah. Good old sleep paralysis. Atlas has heard about this,though he's never experienced it before. You think you're awake and there's something in the room with you, but it's just because your mind is trapped in its last stages of dreaming, and your body is trapped in its REM state; unable to move. It explains everything. The weird setting. The shadows. The fact he can't run away. So Atlas just lies there. And he blinks. And the light fades, eventually.
His arms can move again, and they do, up to his face, where it isn't his face, but cool plaster. He yelps loud, in a way he'll absolutely deny later, and pulls the mask from his face. He sits bolt upright, staring at the face that was on his own, and only then realizing there's other people in this circle. In this basement (?) He feels cement on his legs and the fading heat from the door and it's not a dream after. Not even the worst kind. "What the hell." is the only thing to demand out loud, in the hiss of a whisper that carries further than he'd like.
Edited 2020-01-30 01:15 (UTC)
SOMEWHERE CLUTTERED: Pre-Rescue (Open but optional to rescue kids??)
A muffled metallic sigh sounds from somewhere to the left: Xenia de Bourgh, white mask poking out from under messy hair. She's awake, breathing nervously in a shallow, distressed shiver, but remains unmoving for a long second until Atlas' voice rouses her from playing possum. Not rational, in spite of the uncomfortably hot floor. But Xen is experienced, after all, in the things that can go horribly, horribly wrong if you move too quickly in the wrong environments. Also, she's often a total coward.
For this reason, her fingers are shaky when they pull the mask from her face. (Where did it come from? Why?) She sets it gently on the floor, noting its strange features, and sits up slowly, methodically, as if frightened of setting off a trap or tripping some invisible wire. Her head is full of odd words still, fluttering intrusively at the edges.
Something about keys.
"I don't know," Xen murmurs, staring blankly at the hatch as she tries to memorize the fading dream. The look of it brings her back to earth, and her head cocks inquisitively. "Oh. Those are locking glyphs."
As they lay immobile and helpless, Patrice tries with every ounce of energy he has to summon up some sort of wandless magic trick to knock away at least one of the figures. He knows this isn't a dream. Or thinks he knows, anyway. This has a different feeling than when he was wandering through a forest just moments before, and he's willing to stake someone's safety on it with his attempts at magic. It doesn't matter though. He's not skillful enough to do anything, leaving him only capable of action once he can actually move again.
He's quick to rip off his own mask, his attention turning to Atlas at his utterance, and then to Xenia. This attention to the others is fleeting, though - he starts trying to scrub out a line of the chalk sigil on the floor with his hand to break it, not liking it still being around even if it's not glowing and has possibly already served its purpose.
"'Set him free,'" he says under his breath, recalling what he'd heard in his dream. Then, louder, "Everyone alright?"
Unlike Xenia, as soon as Trudy can move, she does, scooting away from the heat source first. Then she sits up properly and yanks the mask off as she squints around her. She pats the concrete around her for her glasses, even though she's sure she's no where near her room. No luck, so though she can see people moving around her, she can't tell who they are. "Who's there!" she demands, "Identify yourselves!" Her voice is pitched up, but not in fear. It's much closer to the sharp irritation she displays when she's forced to deal with the band freshmen's chaos, the kind that suggests consequences for disobedience.
Too proud to crawl around on the floor, Trudy gets to her feet, even if it means stubbing all her toes. "And where are we!" She puts her hands on her hips, feeling the familiar fabric of her night gown under her fingertips. They put weird masks on them, but left them in their pajamas? Their kidnappers clearly have no eye for aesthetics.
Atlas stays sitting, soaking up the fact that his classmates are here. But no one in robes is. And the little boy (boy?) isn't either. The ground is no longer shaking. He didn't burn up. And that hatch looks...sort of locked. "They left." He tells Trudy, voice a little shaky, and clutching his mask like an anchor. "Right? The robed guys."
Xenia makes a sound of assent. The robes faded, just like the light.
"We're okay," she says unconvincingly, patting her arm woodenly, distracted in thought. "And I'm Xenia, if you can't tell. I'm" --she pauses to confirm-- "missing my wand."
It isn't holstered in her sleeve, where it should be, and the pink fabric with its pattern of cheerful Kneazles seems pitifully childish in this situation. She doubles down on her observation of the hatch to make up for it. Those glyphs are knowable. She'll write them down with everything she remembers as soon as possible. Four of us, four keys... Fire, water, earth... Something... And forget. Something said...
Despite the fact that it's definitely not Trudy's fault that she's blind (and possibly concerned), Patrice rolls his eyes, slowly sitting back on his heels. He looks around, one hand still gripping his own mask a little tightly.
"It's just the four of us now. Patrice and..." He squints, thinking. "Atlas too. Somewhere with bowling alley crap. Do you normally sleep with your wand, Xenia?" He pauses, frowning as he realizes something and pulls a book from his pocket. "...I don't sleep with my journal, though, and I've got that."
Xenia nods, blushing. She wipes at her eyes with the back of a hand, then refocuses on the glyphs. They're far easier to take in than everything else. It's so cluttered in here.
"Yeah. Always. But... not my journal. Also." Her words tangle themselves under Patrice's attention. "And that isn't with me either."
"Thank you, Patrice," Trudy says, tone approving like he gave the correct answer in class. At this conversation, she pats herself down. "No glasses, no wand, but I do have my journal," she confirms. It does not occur to her to contact anyone immediately. Instead, she approaches the hatch in the center of the room. "Free him?" she ponders, then gives it a tug. It won't open, but it does budge a little.
SOMEWHERE CLUTTERED
The four of you are alone in a cluttered room wearing cowled masks fashioned from white plaster. Intricately molded eyes on the mask give way to a flat lower half and a mouth shaped like a keyhole. Beneath you the hatch is still warm to the touch, and it gives a bit if you pull on the handle, like maybe those locking glyphs drawn all over it aren’t holding it so fast, anymore. Around you there are shelves stuffed with boxes, stacked with broken bowling pins, old bowling balls, advertisements and decorations from yearly events at Elflock Lanes. It’s not hard to guess where you are, and though you have no clue how long you’ve been down here, it’s not long at all ‘til you’re found.
Lir Liu arrives with Mr. Youngblood and Ms. Kwan, the three of them showing more emotion on their faces than you’ve maybe ever seen. There’s no interrogation, no assumption that this was a prank, the two teachers just usher you hurriedly back to Peckenpaugh, to Healer Greatheart, to have you checked out.
SOMEWHERE CLUTTERED: Pre-Rescue (Open but optional to rescue kids??)
His arms can move again, and they do, up to his face, where it isn't his face, but cool plaster. He yelps loud, in a way he'll absolutely deny later, and pulls the mask from his face. He sits bolt upright, staring at the face that was on his own, and only then realizing there's other people in this circle. In this basement (?) He feels cement on his legs and the fading heat from the door and it's not a dream after. Not even the worst kind. "What the hell." is the only thing to demand out loud, in the hiss of a whisper that carries further than he'd like.
SOMEWHERE CLUTTERED: Pre-Rescue (Open but optional to rescue kids??)
For this reason, her fingers are shaky when they pull the mask from her face. (Where did it come from? Why?) She sets it gently on the floor, noting its strange features, and sits up slowly, methodically, as if frightened of setting off a trap or tripping some invisible wire. Her head is full of odd words still, fluttering intrusively at the edges.
Something about keys.
"I don't know," Xen murmurs, staring blankly at the hatch as she tries to memorize the fading dream. The look of it brings her back to earth, and her head cocks inquisitively. "Oh. Those are locking glyphs."
SOMEWHERE CLUTTERED: Pre-Rescue
He's quick to rip off his own mask, his attention turning to Atlas at his utterance, and then to Xenia. This attention to the others is fleeting, though - he starts trying to scrub out a line of the chalk sigil on the floor with his hand to break it, not liking it still being around even if it's not glowing and has possibly already served its purpose.
"'Set him free,'" he says under his breath, recalling what he'd heard in his dream. Then, louder, "Everyone alright?"
SOMEWHERE CLUTTERED: Pre-Rescue
Too proud to crawl around on the floor, Trudy gets to her feet, even if it means stubbing all her toes. "And where are we!" She puts her hands on her hips, feeling the familiar fabric of her night gown under her fingertips. They put weird masks on them, but left them in their pajamas? Their kidnappers clearly have no eye for aesthetics.
SOMEWHERE CLUTTERED: Pre-Rescue
SOMEWHERE CLUTTERED: Pre-Rescue
"We're okay," she says unconvincingly, patting her arm woodenly, distracted in thought. "And I'm Xenia, if you can't tell. I'm" --she pauses to confirm-- "missing my wand."
It isn't holstered in her sleeve, where it should be, and the pink fabric with its pattern of cheerful Kneazles seems pitifully childish in this situation. She doubles down on her observation of the hatch to make up for it. Those glyphs are knowable. She'll write them down with everything she remembers as soon as possible. Four of us, four keys... Fire, water, earth... Something... And forget. Something said...
SOMEWHERE CLUTTERED: Pre-Rescue
"It's just the four of us now. Patrice and..." He squints, thinking. "Atlas too. Somewhere with bowling alley crap. Do you normally sleep with your wand, Xenia?" He pauses, frowning as he realizes something and pulls a book from his pocket. "...I don't sleep with my journal, though, and I've got that."
SOMEWHERE CLUTTERED: Pre-Rescue
"Yeah. Always. But... not my journal. Also." Her words tangle themselves under Patrice's attention. "And that isn't with me either."
SOMEWHERE CLUTTERED: Pre-Rescue